Amirtha Kidambi has long affirmed that the role of sound in the act of protest is pivotal. In the summer of 2020, the Brooklyn-based vocalist and composer was immersed in mass demonstrations across New York City in the wake of the murder of George Floyd, organizing bands to counter the violent presence of militarized police. “Without venues, we played in the streets, with DIY concerts popping up under bridges, in tunnels, using generators, extension cords run out of storefronts and galleries, bringing the sound of experimental and revolutionary music to a larger public,” Kidambi recalls. For an artist and activist who once cultivated community at defunct outer-borough spaces such as Death By Audio and The Silent Barn, these protests became a place to publicly amplify the underground. “We gained tools and tactics, we have understood the power of collectivity, that same power that I feel as an improvising musician, where hierarchies are eliminated and individuals come together to assert their voices communally.”