6b A.A. Milne. Decorations by E.H. Shepard. London: Methuen & Co., Ltd, 1928. No. 161/350 on handmade paper SIGNED by A.A. Milne and E.H. Shepard.

Notes

The House at Pooh Corner, published in 1928, is the beloved sequel to Winnie-the-Pooh by A. A. Milne. The book continues the adventures of Pooh Bear, Christopher Robin, and their friends in the Hundred Acre Wood, introducing the memorable character of Tigger. Like its predecessor, it blends gentle humor, whimsical dialogue, and philosophical musings, capturing the innocence and imagination of childhood. The stories are framed around friendship, adventure, and the simple joys of life, making them timeless for readers of all ages.

A. A. Milne was an English author, playwright, and journalist best known for his Winnie-the-Pooh stories. Originally a humorist and literary writer, Milne turned to children’s literature inspired by his own son, Christopher Robin Milne, who became the model for the character of Christopher Robin. Milne’s writing combined warmth, wit, and a keen observation of childhood imagination, creating stories that were both entertaining and subtly insightful about human nature. Beyond Pooh, Milne wrote plays, essays, and poetry, but his legacy rests largely on the enduring appeal of the Hundred Acre Wood and its inhabitants.

E. H. Shepard was the artist responsible for bringing the world of Winnie-the-Pooh to life. His delicate pen-and-ink drawings perfectly complemented Milne’s text, giving visual form to Pooh, Piglet, Tigger, Eeyore, and the other residents of the Hundred Acre Wood. Shepard’s illustrations are notable for their expressive characterizations, charm, and subtle humor, which capture both the whimsy and the emotional depth of the stories. His art helped define the visual identity of Pooh and remains iconic, shaping how generations of readers imagine the characters and their adventures.

Description 

Original binding without cream boards and blue cloth spine. Paper paste down to upper board. Original dust wrapper in fair condition with fading and tears along the spine. This limited edition printing was done in the same year of the first edition on handmade paper and was limited to 350 copies. Back of title page features signatures of Milne and Shepard. Book is in very fine condition.