Paper: Arches Cover Cream
Printer: Niveaksie Quvianaqtuliaq

Inuit graphics, including drawings and prints, represent a relatively recent but highly significant development in Arctic Indigenous art. Emerging in the mid-20th century with the establishment of the first print studio in Kinngait (Cape Dorset) in 1957, Inuit printmaking quickly became a vital form of cultural expression. Since then, annual print collections have showcased the creativity of Inuit artists, supported by galleries such as Canada House Gallery, which has played an active role in promoting and preserving this evolving art form within Inuit art.

Inuit prints and drawings explore a wide range of imagery, from traditional hunting scenes and survival in the North to shamanic visions, Inuit legends, stylized wildlife, flora, and contemporary life. Each work reflects both individual artistic voice and shared cultural storytelling, making Inuit graphics an important bridge between tradition and modern expression.

A compelling reason to collect Inuit graphics is that each piece not only preserves and shares Inuit cultural knowledge, but also directly supports living artists and the continued growth of printmaking studios in Arctic communities.

The Annual Graphics Collection from Cape Dorset, Nunavut has been released since 1959 and features acclaimed graphic artists from the Arctic. Padloo began drawing seriously while attending a Banff drawing workshop in 2001. In 2007 she was part of an animation workshop in Cape Dorset and she has studied jewellery making at Arctic College.