Mode C: Chorus

Mode C is a blend of chorus and flanger. It has more warmth and slower rates than Mode V and uses a sine wave LFO to modulate the delay line. The Width control plays a major role in this mode and determines which type of modulation is more prominent.

Width
Controls the amplitude of the LFO and determines how wide the pitch modulation will sweep. Higher Width settings have a more pronounced flanging effect. When the Width control is turned past the center point, feedback is gradually added and makes the flanging effect more prominent.

Rate
Controls the speed of the LFO.

Balance
In Mode C, the Balance control adjusts the level of the modulated signal. Turn clockwise for a more pronounced effect.

Mode R: Rotary Chorus

Mode R is a rotary chorus effect modeled after the sound of a Leslie speaker cabinet. This effect combines both amplitude and frequency modulation for a Doppler effect.

Width
Controls the amplitude of the LFO and determines how wide the pitch modulation will sweep. Lower settings accentuate the lower “woofer” frequencies and higher settings accentuate the upper “horn” frequencies.

Rate
Controls the speed of the LFO.

Balance
In Mode R, the Balance control adjusts the wet/dry balance of the signal. Turn clockwise for a more pronounced and pulsing sub frequency effect.